Heiner Müller Movies

This film not only illuminates Heiner Müller's life and works, it is more about questioning the "Sphinx" of the East and its saying about the loss of...

On the run from her criminal Italian husband, a young French woman meets a German lover in West Berlin who offers her shelter but who also gets entang...

Quoting from historian Tacitus' Annals, Alexander Kluge and Heiner Müller delve into the Roman Iron Age, talk about the modern style of Tacitus' prose...

This portrait of Heiner Müller on the occasion of his 60th birthday is devoted for the most part to having Müller recount events and memories from the...

In 1989, Heiner Müller staged an unabridged seven-and-a-half hour Hamlet, because in the process of German reunification "a leave-taking from the Haml...

In this interview Müller and Kluge explore the East German’s memories of the final days of the war. The session is introduced by a clip from the Russi...

"The metaphor is cleverer than the author" (Lichtenberg),a "screen," an "instrument for bundling" (Müller),because "everything changes so much" (Ger...

Movie scenes, montages of images and text, as well as conversations between Alexander Kluge, playwright Heiner Müller and classicist Wilfried Stroh pr...

At the time of the conversation Heiner Müller was the president of the Academy of Arts - East. At the beginning he describes his daily routine to Klug...

In this conversation, taking place shortly after the German reunification, Alexander Kluge and Heiner Müller discuss historical developments from the...

Kluge here presents a portrait of Friedrich the Great by means of quotations, film clips, historical images, and film documents. The program is a cont...

Here Müller and Kluge explicitly address a theme that is latently present in many of their conversations: the relation of intellectuals to reigning po...

A news magazine program on important aspects of the history of postrevolutionary Cuba, consisting of two documentary film sequences about Castro and t...

Citing Nietzsche, Müller defines intellectuals as the "ploughshares of evil," whose task it is "to create chaos, to destroy conceptions of order." Not...

Citing Nietzsche, Müller describes the motive of the philologist as "greed," "simply wanting to have everything, grasp everything, know everything." T...

Heiner Müller was invited to a conference in Japan on the fate of opera in the 20th and 21st century. He talks about his flight over Siberia and his f...

This "music magazine" is a montage of visually alienated historical film clips of tanks and soldiers (First and Second World War),pictorial reminisce...

In order to justify interpreting the Oresteia as a representation of the "birth of democracy" (P. Stein),one has to repress a lot, for example the sa...

The central topic of the interview is the ancient concept of a necessary balance between the dead and the living, which also assumes the notion of a c...