We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre...

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-c...

In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but t...

Naked bodies are buffeted by water accompanied by the music Il Temporale from the opera La Cenerentola and the overture to Il Barbiere di Siviglia bot...

Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.

Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film e...

Lois Patiño dissects the movement of a fire, analyses its fleeting ephemeral forms, and transforms them with sound to enrich the meaning of the images...

In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli....

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

For a young boy, ordinary facts and things of daily life seem to have great importance.

A meditation on freedom and technological approaches to manifest destiny.

The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a compl...

Three kids are trying to stand strong. In a world where you don’t know for what you want to stay strong. Full of sexuality and the need to define thei...

A story of diaspora. The film criticises the myth of Swiss neutrality, which violently masks structural, systemic, and social passivity.